STINA FORSCHAOS WELCOME

Interview by Joel Valabrega 24 Oct, 2025

EWA DZIARNOWSKADANCES BUILT FROM SENSATION

Interview by Alice Heyward24 Oct, 2025

By Association #1

Column by Michelangelo Miccolis24 Oct, 2025

Theatre of Loyalty: Why Jan Fabre Still Gets a Stage

Essay by Ilse Ghekiere 24 Oct, 2025

PW Live IIWith Adam Linder, Celeste Burlina and Lukas Kaufmann

Impressions by Editorial Team24 Oct, 2025

MACHINE FEMMES– “Nights Out” by Anna Franceschini at Kunstverein Gartenhaus

Review by Caterina Avataneo24 Oct, 2025

Impressions of PW-LiveSecret Guests

Impressions by Editorial Team10 Jun, 2025

Soa RatsifandrihanaOn Grooves, Echoes and Staying Close

Interview by Maria Dogahe04 Jun, 2025

COURTESYSOUND, SPACE, SYNTAX

Interview by Sarah Johanna Theurer26 May, 2025

Bartlebabe(Four Fragments and One Letter)

Contribution  by Anna Franziska Jäger & Nathan Ooms15 May, 2025

Jonida LaçiThe Dynamics of Beholding and Being Beheld

Interview by Miriam Stoney08 May, 2025

GolinSerpentine Rooms, Highways, Feelings

Interview by Nikolas Brummer27 Apr, 2025

Monika Emmanuelle KaziTenuousness and the Everyday – Archaeology of Domestic Things

Interview by Jazmina Figueroa12 Apr, 2025

Hanna KučeraShifting Positions, or: As if we Already Went Through the Apocalypse

Interview by Sophia Roxane Rohwetter07 Mar, 2025

A Post-Doom Romance– “Daybreak” by Shade Théret

Review by Jette Büchsenschütz06 Feb, 2025

Valentina TrietOn Models and Patterns

by Lucie Pia28 Jan, 2025

Luca BonamoreFaggotry for All

Interview by Claire Lefèvre16 Jan, 2025

Les UrbainesMutations in a Transversal Context

Interview by Paula Thomaka24 Nov, 2024

Mateusz SzymanówkaThe Dancefloor as Figure of Thought

by Tom Engels29 Oct, 2024