The Promise of Work

Berlin’s Production of Precarity

Essay by Jette Büchsenschütz

01 Jul, 2026

MEXA: Reality Show. Photos by Mayra Wallraff

Bullyache: A Good Man is Hard to Find. Photo by Éamonn Zeel Freel

Bullyache: A Good Man is Hard to Find. Photos by Andrea Avezzù. Courtesy La Biennale di Venezia

Abhishek Thapar: Soft Pressure (Working Title). Photo by Himashi Parmar

Liina Magnea: What’s a Mob to a King (Plot-twist Redemption). Photo by Emma Annell

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    „Without a doubt, people nowhere work so hard and long as in Germany. It is a well-known fact that Germans have for generations been overfond of working; and their present industriousness seems at first glance to give substance to the opinion that Germany is still potentially the most dangerous European nation.“ (Hannah Arendt: The Aftermath of Nazi Rule: Report from Germany, in: Essays in Understanding, 1930-1954, Formation, Exile and Totalitarianism, New York: Schoken Books 1994.

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    Hito Steyerl: Art as Occupation: Claims for an Autonomy of Life, e-flux Journal, Issue #30, December 2011

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    s. TanzAgenda24

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    See also the Jury Commentary on the funding recommendations for entry-level grants, individual project grants, and one-year support for production venues in the performing arts and dance sector (Funding Period 2026),

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    See the petition “Strukturförderung für Berlins freie Künstler*innen und Gruppen,” which advocates long-term structural funding for Berlin's independent artists and groups in place of a predominantly project-based funding system.

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    Freelance Dance Ensemble Berlin: Statement March 2026

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    A quote by Berlin-based dancer and choreographer Elvan Tekin, who was invited on stage during Olympia Bukkakis' Late Night Show during Never Work Festival at Sophiensæle.

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    George Orwell: The Road to Wigan Pier, New York: Harcourt, Brace and Company ED p. 202.

Essay01 Jul, 2026