Discourse
By Association #1
Column by Michelangelo Miccolis24 Oct, 2025
Theatre of Loyalty: Why Jan Fabre Still Gets a Stage
Essay by Ilse Ghekiere 24 Oct, 2025
MACHINE FEMMES– “Nights Out” by Anna Franceschini at Kunstverein Gartenhaus
Review by Caterina Avataneo24 Oct, 2025
A Post-Doom Romance– “Daybreak” by Shade Théret
Review by Jette Büchsenschütz06 Feb, 2025
On The Fence, Up The Wall, Off The Charts, All at Once– “Eunuchs” by Irmãs Brasil
Review by Claire Lefèvre31 Jul, 2024
SIRIUS OR HAUNTED BY A CANCELLED FUTURE– “HUNDSTAGE” BY ENAD MAROUF
Love Letter by Jette Büchsenschütz19 Jun, 2024
For and Against the Stage– “east of what” by caner teker
Love Letter by Shen He13 Jun, 2024
At Another Time, in Another World– “ElseWhere Rhapsody” by Jen Rosenblit
Love Letter by Heneliis Notton20 Mar, 2024
Suppose to Conduct Feelings In a Circuit– OPUS 25 A “LUDWIG VAN BEETHOVEN” by Hanne Darboven
Love Letter by Jan Kunkel22 Dec, 2023
Misleading to Glory – “Knight-Night” by Bryana Fritz and Thibault Lac
Review by Lewon Heublein03 Sep, 2023
Reminiscent Desires– “Untitled (Holding Horizon)" by Alex Baczynski-Jenkins
Review by Jette Büchsenschütz11 May, 2023
Symptom Diary of a Drama Queen
Essay by Nikolas Brummer02 Apr, 2023
BONE 2022Freed From Desire
Review by Lewon Heublein13 Jan, 2023
Make the Body Know
Review by Jan Kunkel01 Nov, 2022
Les Urbaines 2021Now, You See Me. Now, You Don't!
Review by Lewon Heublein, Luca Büchler19 Jan, 2022