Art Still from Noviki »The Node«, 2019, video. Cyber Sanctuaries, curated by Specter Predominantly Online EnglishArt Edited still from »Oestrus« (2020, 8:23) by Anni Puolakka. Sound by Miša Skalskis Anni Puolakka: Love Through Distance InterviewEnglishArtAnni PuolakkaPolansky Gallery Meriem Bennani »Party on the CAPS«, 2018. Courtesy of the artist and C L E A R I N G, New York / Brussels The Speculative Refugee: Meriem Bennani’s »Party on the Caps« EnglishArtReviewMeriem BennaniJulia Stoschek Collection Daisuke Kosugi, from »A False Weight«, 2019, Coproduction Jeu de Paume, Paris, CAPC musée d’art contemporain de Bordeaux & Museo Amparo, Puebla Daisuke Kosugi: Normative Bodies, Leisure and Other Capitalist Lies EnglishArtReviewFilmDaisuke KosugiFotogalleriet Photo by Lola Banet Zuzanna Bartoszek: Art Doesn’t Serve Morality InterviewEnglishArtZuzanna Bartoszek Photo by Marie Haefner Laurence Sturla on Fantastic History InterviewEnglishArtLaurence Sturla Josephine Pryde »Who Were You?«, 2016. Courtesy of the artist and Galerie Neu, Berlin Just Looking, Just Trying to Think EnglishArtReviewmumok Photo by Marie Haefner Aline Rainer: Growing Thorns Instead of Thicker Skin InterviewEnglishArtAline Rainer Photo by Nora Hollstein Davide Zucco: »I Don’t Think Art Can Offer Solutions« InterviewEnglishArtDavide Zucco Ivan Pérard. Photo by Marie Haefner Impressions of »Rundgang 2020« at the Academy of Fine Arts Vienna EnglishArtAcademy of Fine ArtsPhoto We need more than one term for these big things, kuratiert von Melanie Ohnemus, Ausstellungsansicht, Universitätsgalerie der Angewandten im Heiligenkreuzerhof, Wien, 2019/2020. Foto von Till Megerle »We need more than one term for these big things«: Emanzipier’ dich! GermanArtReviewAngewandteMelanie Ohnemus Photo by Marie Haefner Adam Szymczyk: The Antithesis of Exhibitions InterviewEnglishArtAcademy of Fine ArtsAdam Szymczyk Photo by Nora Hollstein Irina Lotarevich: »Sculpture Is Very Much Related to Our Self-Image« InterviewEnglishArtIrina Lotarevich Nina Beier, Fingers Crossed Crossed Fingers, 2019, Leather glove, military decorations, commercial pins, religious symbols and jewelry, 11,5 × 19,5 cm. Photo by kunst-dokumentation.com Where Is the Bird? EnglishArtReviewCroy NielsenNina Beier Loretta Fahrenholz, aus »Two A.M.«, 2019, Courtesy Galerie Buchholz, Berlin/Cologne/New York Kino nach Cambridge Analytica: Loretta Fahrenholz über »Two A.M.« InterviewGermanArtmumokLoretta Fahrenholz Ausstellungsansicht, Time Is Thirsty, Kunsthalle Wien, 2019. Foto von Kunsthalle Wien: Willem de Rooij, Tracksuits, Size XL, 2015, Courtesy der Künstler und Galerie Daniel Buchholz, Berlin/Köln/New York Spurensicherung der Gegenwart in der Vergangenheit GermanArtReviewKunsthalle Wien Photo by kunst-dokumentation.com You Make Me Feel Like a Natural Disaster EnglishArtReviewAcademy of Fine ArtsJessyca R. Hauser Foto von Juliana Lindenhofer Henrike Naumann: Wenn sich Österreich wieder angeschlossen hätte InterviewGermanArtBelvedere 21Henrike Naumann Foto von Marie Haefner Elisabeth von Samsonow: »Eine matriarchale Politik für die Zukunft« InterviewGermanArtAcademy of Fine ArtsElisabeth von Samsonow Paul Makowsky. Photo by Marie Haefner Vienna Art Spaces: Shore InterviewEnglishArtVienna Art SpacesShore 1 2 3 4 5 6 Next
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