PW-Magazine Daisuke Kosugi, from »A False Weight«, 2019, Coproduction Jeu de Paume, Paris, CAPC musée d’art contemporain de Bordeaux & Museo Amparo, Puebla Daisuke Kosugi: Normative Bodies, Leisure and Other Capitalist Lies EnglishArtReviewFilmDaisuke KosugiFotogalleriet Photo by Marcella Ruiz Cruz Anne Lise Le Gac: Crossing Lines Without Origins InterviewEnglishPerformanceAnne Lise Le Gac Photo by Markus Windt M.E.S.H.: Aperture and Amplitude InterviewEnglishMusicM.E.S.H. Photo by Lola Banet Zuzanna Bartoszek: Art Doesn’t Serve Morality InterviewEnglishArtZuzanna Bartoszek Photo by Marie Haefner Laurence Sturla on Fantastic History InterviewEnglishArtLaurence Sturla Josephine Pryde »Who Were You?«, 2016. Courtesy of the artist and Galerie Neu, Berlin Just Looking, Just Trying to Think EnglishArtReviewmumok Photo by Marie Haefner Aline Rainer: Growing Thorns Instead of Thicker Skin InterviewEnglishArtAline Rainer Photo by Nora Hollstein Davide Zucco: »I Don’t Think Art Can Offer Solutions« InterviewEnglishArtDavide Zucco Ivan Pérard. Photo by Marie Haefner Impressions of »Rundgang 2020« at the Academy of Fine Arts Vienna EnglishArtAcademy of Fine ArtsPhoto Photo by Marie Haefner Adam Szymczyk: The Antithesis of Exhibitions InterviewEnglishArtAcademy of Fine ArtsAdam Szymczyk Photo by Nora Hollstein Irina Lotarevich: »Sculpture Is Very Much Related to Our Self-Image« InterviewEnglishArtIrina Lotarevich Loretta Fahrenholz, aus »Two A.M.«, 2019, Courtesy Galerie Buchholz, Berlin/Cologne/New York Kino nach Cambridge Analytica: Loretta Fahrenholz über »Two A.M.« InterviewGermanArtmumokLoretta Fahrenholz Prev 1 2 3 4 5 6 … 20 Next
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