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More is More at Schloss Schöngrabern

On View By
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Philipp Friedrich, „untitled“, 2016

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An Invitation by Antonia Lia Orsi

Artists: Leda Bourgogne, Bela Feldberg, Philipp Friedrich, Jennifer Gelardo, Samuel Linus Gromann, Hannah Hansel, Deanna Havas, Adrian Manuel Huber, Irina Lotarevich, Haydee Marin-Lopez, Mickael Marman, Bruno Mokross, Daniel Murnaghan, Sami Nagasaki, Laurids Oder, Richard Nikl, Lennart Schweder, Marina Sula, Eugen Wist and Malte Zander

Duration: September 23 – 24, 2016

Location: Schloss Schöngrabern Wiener Neustädter Straße 7, 2442 Unterwaltersdorf

picture these gentle folks:
gradually going everywhere. “and now the ride’s been a long one: hence it must be autumn. at least in a place where mothers know about us.“
where everybody’s close: them, descending france and burgundy and hessia, the valleys of carinthia, the bohemian castles. who can relate most to these narratives? parts and more parts of forgotten existences rusting at the shore, amidst lobsters and clams, gently covered in crystalline layers by the salty waves.
“like bourgeoise chairs“, she thinks to herself. he peeks over the other shoulder. the background stays a calmingly unadventurous green.
focus dinner table. look at them; slowly withering in their velvety skin. forfeited flowers blossom in the forest outside (stems like boning knives). clouds constrict. these gentle folks turning the empty (carved out like it’d have been the last meal for a long time) porcelain upside down—
he sits closest to her.
wine stain on his rose polo,
chin stubble, shaved neck,
crumpling his empty pack of parisiennes,
tossing it on the speckled floor—
i’m watching them introduce various incoherencies to each other. elevated, talking down to him, she couldn’t take him seriously. the mood shifted not too long ago. he scratches his stubbles with his left, holds a last unlit cigarette with his right hand. he’s not too interested anymore.
„like bourgeoise chairs“, she smirks. but he won’t understand.
focus again,
taking time slowly,
und ich würd berge kaufen
wenn jemand einsteigen will
but i just got my money, k?

Text by Bruno Mokross

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Philipp Friedrich, „untitled“, 2016
Samuel Linus Gromann, (pants) „AVALANCHE 2“, polyester, silk, viscose, dimensions variable, 2016
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Lennart Schweder, „(Untitled)“, inkjet on transparent foil, epoxy resin, aluminium, 70 x 50 cm, 2016
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Laurids Oder, „Ohne Titel“, steel, wired - glass, 57 x 40 x 44,5 cm, 2016
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Philipp Friedrich, „untitled“, 2016
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Adrian Manuel Huber, „untitled drawings“, pencil and pen on paper, 29.7 x 21cm, 2016
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Irina Lotarevich, „FFM 1“, walnut, 30 x 13,5 x 13,5 cm, 2016 & „FFM 2“, walnut, 27,5 x 13,5 x 13,5 cm, 2016
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Malte Zander, „Untitled“, bread, E153, dimensions variable, 2016
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Jennifer Gerlardo, „Peeling“, seedlings of the devil’s backbone, rice paper, 14,8 x 21 cm , 2016
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Jennifer Gerlardo, „Peeling“, photo magazine, 21 x 29,7 cm, 2016
Bruno Mokross, „untitled“, steel, 100 x 1 cm, 2016
Daniel Murnaghan, „dog with cucumber“, nancial times newspaper, acrylic, 29,7 x 42 cm, 2016
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Deanna Havas, „Nations Unes“, digital print on PVC, 51 x 39 cm, 1/1, 2015
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Richard Nikl, „Der Esstisch“, chipboard, plywood, resin, PVC 135 x 59 x 4 cm, 2016
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Mickael Marman, „w.painting/problematictitle“, mixed media on jute, 110 x 92 cm, 2016
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Hannah Hansel, „Ohne Titel“, mixed media on paper, 29,7 x 23 cm 2015/16
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Haydee Marin-Lopez, „Baby D“, watercolor on foam board, 50 x 70 cm, 2016
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Haydee Marin-Lopez, „Flowers“, watercolor on foam board, 50 x 70 cm, 2016
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Marin Sula, „Solutions“, embroidery on towel, 90 x 70 cm, 2016
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Sami Nagasaki, „Untitled (Chavala Sequence)“, glass, silicone, finish, 100 x 70 cm, 2016
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Installation Shot
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Leda Bourgogne „Velvet One“, bleach, acrylic, thread on velvet, 80 x 100 cm, 2016
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Adrian Manuel Huber, „untitled drawings“, pencil and pen on paper, 29.7 x 21cm, 2016
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Samuel Linus Gromann, (wall) „Untitled“, un red clay, stainless steel, silver, dimensions variable, 2016 & Bela Feldberg, “Breslauer Feuer 2.0”, 8 woven scarves each 17 x 145 cm total 200 x 170 m, 2016
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Samuel Linus Gromann, (wall) „Untitled“, un red clay, stainless steel, silver, dimensions variable, 2016
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Bela Feldberg, “Breslauer Feuer 2.0”, 8 woven scarves each 17 x 145 cm total 200x170 m, 2016

Photos by Philipp Friedrich